Friday, 28 June 2019

Automatic Schmuck




Back in the mists of time – circa 1985 – my manager at my place of work in Aberdeen told me our office was getting a personal computer.

‘A what?’ I cried. ‘There’s no chance of me using it’ I protested. ‘I know nothing about computers and I ain’t using one’

A thin smile crossed his face. ‘You’d better get used to it, Mike. In years to come computers will rule the world’ Alas, my old boss has proved to be correct.

Now, computers are nearly everywhere you go – resulting in the depersonalisation of society.

You go to the supermarket. At the checkout, there are rows of self-service tills, all with the same annoying voice and all ‘thanking you for shopping at Tesco’. I steadfastly refuse to use these things, preferring the human touch, even if it is a grouchy woman on the till checking her mobile phone in between scanning my goods purchased.

If you’re travelling by train and are brave enough to use ScotRail there’s no escape. The automated tannoy announcements at Edinburgh’s Waverley Station spit out which trains are departing from which platforms.

‘The-next-train-to-depart-from-platform-14-will-be-the…..0930-hours-service-to…. Glasgow-Queen-Street-calling-at-Falkirk-High-and-Croy…’ The human touch of someone actually reading this in ‘real-time’ (another phrase I deplore) has long since been shunted into a siding.

To purchase a ticket, you can still go to a manned desk but it’s clear the rail authorities would much rather you use one of the countless ticket machines dotted around the concourse.

Even on the train, automation takes over. Another loud and obtrusive automated voice will bawl ‘This-train-is-for-Glasgow-Queen-Street-the-next-station-is-Falkirk-High’ followed by ‘Please-mind-the-gap-when-alighting-this-train’. Occasionally, the ticket inspector will trawl the carriages asking to see tickets and passes and it’s almost a relief to see a human face.

Domestically, if you need to phone the gas/electric/broadband provider/insurance company etc inevitably you are giving a plethora of menu options to navigate first.

‘Press 1 for billing enquiries; Press 2 for order status; Press 3 for service information; Press 4 if you wish to tell us about a change of address…or, if you really have to, press 5 and one of our agents will deal with your enquiry.’ But if you think pressing 5 will immediately put you in contact with a human, think again. ‘Thank you. Our agents are very busy right now and you are in queue position number…5. You may wish to call back when we’re less busy…’

Even a mundane task such as visiting your GP – and, I don’t know if I’ve mentioned this but I’m not a well man, although I don’t like to talk about it – has now succumbed to the robots. When visiting the surgery, I no longer need to converse with the friendly receptionist behind the counter. I just tap a large screen attached to the wall and confirm my date of birth (I’m not saying I’m old, but it takes a few moments for me to scroll down the year field on the screen). ‘Are you Michael Smith?’ displays an on-screen message? Tap yes and another message tells you to take a seat. I despair.

I know we’re in the digital age and businesses are always looking for much more efficient ways of doing things aka to save money. But it seems to me that social exchanges in everyday life are becoming more of a rarity these days. And while I suspect some people may run a mile rather than converse with me, to me this is a sad reflection on today’s impatient, far-too-busy society.

Now, for feedback on this post please comment with:

1-     If you’ve enjoyed it

2-     If you feel you’ve just wasted the last few minutes

3-     If you think it’s been the usual tirade of tiresome rubbish






Tuesday, 11 June 2019

Musical Review: Club Tropicana




There seems to be something of a 1980s revival these days which, given some of the music and fashion from the decade that style forgot is something of a surprise. But if you still hanker after the days of legwarmers, white tee-shirts adorned with huge slogans and mobile phones the size of a large brick then Club Tropicana the Musical is for you.

It’s a show that’s been described as the Love Island of the 1980s (don’t ask, that’s lost on me too) and it bounced into Edinburgh on Tuesday evening for the first of a run of shows that end on Saturday. Innuendo abounds; camp is all around; and there’s love stories with rather predictable endings. But for all that, I loved it!

The main character is Garry, played with such energetic style by former X-Factor winner Joe McElderry. The story is set in Club Tropicana, a hotel for which the name chaos could have been invented. McElderry hams the action delightfully and has developed a comedic persona which comes to the fore in this entertaining romp through the 1980s.

Alongside McElderry is the brilliant Kate Robbins who plays the hotel maid Consuela. Robbins, of course, made her name as an impressionist of some ability, having contributed to one of the top sketch shows of the 1980s, the puppet satire that was ITV’s Spitting Image. Robbins has not lost her mimicry skills and she revels in ‘doing’ stars such as Tina Turner, Shirley Bassey and Liverpool’s singer turned prime-time 80s telly presenter Cilla Black. Robbins, for me, is the star of the show and she had the Playhouse audience in hoots of laughter.

The role of Serena, the hotel manager, is played by Amelle Berrabah, once of The Sugababes (who, I’m reliably informed, were an all-girl pop band) and while she isn’t as prominent as McElderry and Robbins, still provides one of the highlights of the evening with a spine-tingling version of the Yahoo classic Only You (Berrabah overcame a small technical issue at the start of the song quite brilliantly) Serena has her eyes on Rob, who was due to be played by Neil McDermott, a former EastEnders actor, but, on Tuesday’s performance was played by understudy Nye Rees.

During these troubled times, Club Tropicana will take you back to more innocent days and it’s clear the cast love performing and stomping out the instantly recognisable numbers from three decades ago. Like all good shows this is reflected in the feel-good factor that envelopes the show and there’s every chance you’ll leave the theatre with at least one of those 1980s hits buzzing around in your head for the rest of the evening. 

Girls Just Want to Have Fun, She Drives Me Crazy, The Look of Love, Don’t Go, Jump, Making Your Mind up (with a wee twist on the legendary Bucks Fizz tearing the skirts away routine) and many others will have you looking out your old Sony Walkman when you get home.

Club Tropicana is literally a blast from the past. It’s on at the Edinburgh Playhouse until Saturday 15th June 2019. 

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